To understand video, it is best to start with simple, old-fashioned black-andwhite television. To represent the two-dimensional image in front of it as a onedimensional voltage as a function of time, the camera scans an electron beam rapidly across the image and slowly down it, recording the light intensity as it goes. At the end of the scan, called a frame, the beam retraces. This intensity as a function of time is broadcast, and receivers repeat the scanning process to reconstruct the image. The exact scanning parameters vary from country to country. The system used in North and South America and Japan has 525 scan lines, a horizontal-tovertical
aspect ratio of 4:3, and 30 frames/sec. The European system has 625 scan lines, the same aspect ratio of 4:3, and 25 frames/sec. In both systems, the top few and bottom few lines are not displayed (to approximate a rectangular image on the original round CRTs). Only 483 of the 525 NTSC scan lines (and 576 of the 625 PAL/SECAM scan lines) are displayed. The beam is turned off during the vertical retrace, so many stations (especially in Europe) use this time to broadcast
TeleText (text pages containing news, weather, sports, stock prices, etc.). While 25 frames/sec is enough to capture smooth motion, at that frame rate many people, especially older ones, will perceive the image to flicker (because the old image has faded off the retina before the new one appears). Rather than increase the frame rate, which would require using more scarce bandwidth, a different approach is taken. Instead of the scan lines being displayed in order, first
all the odd scan lines are displayed, then the even ones are displayed. Each of these half frames is called a field. Experiments have shown that although people notice flicker at 25 frames/sec, they do not notice it at 50 fields/sec. This technique is called interlacing. Noninterlaced television or video is called progressive.
Note that movies run at 24 fps, but each frame is fully visible for 1/24 sec.
